The Tennessee Werewolves release first single off “American Dream” album
Los Angeles, CA - January 22, 2018 --The Tennessee Werewolves have announced the release of their new single, “Amy’s Gone.” The lead song from the band’s first full studio album “American Dream” - slated to drop March 23rd - “Amy’s Gone” is a sobering reminder of how rejection and judgment often push people away.
Quick Summary
On January 22, 2018, the Tennessee Werewolves released their single "Amy’s Gone," a poignant track from their upcoming album "American Dream," set to launch on March 23. Featuring Angel Mary’s evocative vocals and collaborations with notable artists, the single emphasizes themes of rejection and judgment. The music video premieres alongside the radio debut, showcasing their distinctive sound. The band will tour in Spring 2018 to promote the album and share more singles.
Produced by The Tennessee Werewolves, “Amy’s Gone” is led by Angel Mary whose powerful vocals breathe life into the song’s lyrics. With fellow bandmates Christian Wolf on the drums/vocals and Antoine Wolf on bass guitar/vocals, this tune is the perfect example of a country classic.
On January 22nd, “Amy’s Gone” can be heard on radio stations nationwide. The official music video is set to debut on VEVO the same day at 9 am EST and also on Heartland Network (US) and SKY Network (UK) on The Phil Mack International Country Show. The album, “American Dream” (Verado Records) will go on pre-sale February 1st. Featuring several notable guests, “American Dream” boasts collaborations from artists such as Rob Caggiano of Volbeat/Anthrax, Kenny Olson of Kid Rock and Kelby Ray of The Cadillac 3.
The Tennessee Werewolves are hitting the road this Spring to promote “American Dream” and will also release other singles and videos from the album. For more information on the band and their upcoming performances, visit www.tennesseewerewolves.com.
About Tennessee Werewolves
Make no mistake this is a Family tradition, “pass the biscuits please.” Angel Mary, Christian Wolf and Antoine Wolf are all related. Having a name as unique as this band, The Tennessee Werewolves (TTW) push forward on their music endeavors by reaching out and stepping out of the box. The name being derived from Johnny Cash & the Tennessee Two and his song the "Beast in Me” from his American Recordings. This sparked the band to record Folsom Prison Blues, a song they hold close to heart. Not only did TTW record this new epic single at the Cash Cabin where the American Recordings were recorded. They also had John Carter Cash co-produce the single and played an acoustic track on it, giving it the "Cash" stamp of approval.
TTW SOUND: “It’s like walking into an old time saloon and getting kicked in the face with a new pair of boots”
Website: www.tennesseewerewolves.com
Frequently Asked Questions
How do independent artists promote their music effectively?
Effective music promotion combines digital strategies with grassroots efforts. Build a presence on streaming platforms with optimized profiles, engage your audience on social media with behind-the-scenes content, pitch to playlist curators, submit to music blogs and publications, collaborate with other artists, and perform live whenever possible. Consistency and authenticity build lasting fan connections.
What is the best strategy for releasing new music?
A successful release strategy starts 6-8 weeks before drop date. Build anticipation with teasers and pre-save campaigns, pitch to playlists at least 4 weeks early through distributor tools, coordinate social media content, reach out to music blogs for reviews, plan a release day event or live stream, and maintain promotion momentum for at least 4 weeks after release.
How does playlist placement affect music careers?
Playlist placement can dramatically increase streams, followers, and discovery. A single editorial playlist placement can generate thousands to millions of streams. It introduces your music to new listeners, signals credibility to industry professionals, and triggers algorithmic recommendations. Focus on both editorial and user-generated playlists across multiple streaming platforms for maximum exposure.
Is music PR worth it for emerging artists?
Music PR is worth the investment when you have quality music ready and a clear brand identity. Professional PR secures coverage in music publications, blogs, and podcasts that builds credibility and industry connections. The earned media acts as social proof that attracts playlist curators, booking agents, and potential collaborators. Start with targeted campaigns rather than broad national PR.
What are the best strategies for growing a fanbase?
Focus on creating genuine connections with fans through consistent engagement on social media, email newsletters, and live performances. Share your creative journey and personality, not just finished music. Collaborate with artists in complementary genres, participate in online communities, and leverage user-generated content. Quality engagement with a smaller audience beats surface-level interaction with a larger one.
How much should independent artists spend on music promotion?
Budget 15-30% of your projected revenue on promotion, or $500-$5,000 per single release depending on your career stage. Prioritize playlist pitching services, targeted social media ads, PR campaigns for key releases, and professional visual content. Start smaller, track results carefully, and reinvest in strategies that demonstrate clear return on your investment.
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